Third Day
Workshop – Lecture – Concert
Workshop – Lecture – Concert
22 February 2021
Oud Extended Techniques
Live Events
Oud Extended Techniques
Next “Reza Korourian Awards” 2021 will be announced for Oud/Double bass and electronics. 4th “Tehran International Electronic Music Festival” will present two Workshops for the extended techniques of these instruments.
Extended Techniques for Oud
Yasamin Shahhosseini
Monday 22nd February 2021 .13:00, Tehran Time
Pass code will be sent to registered participants.
Lecture and Discussion 1
What Factors Shaped Radif Music After the Revolution?
How Did the Young Composers Respond to These Factors?
Mehran Pourmandan
Monday, 22 February 2021, 18:00 Tehran Time
How and to what extent the social shifts, aesthetic reorientations, changes in listening habits, the emergence of commercial commodity music of all kinds have mutually influenced each other are among the central topics of systematic investigations of recent Iranian music history.
The intention of these three lectures with subsequent discussion is to take a new step towards a systematic investigation of the continuity, transformation and ruptures on the path of Iranian music from Radif to electronic music.
Critique and Discussion: Sara Abazari, Mehran Pourmandan, Mehdi Kazerouni, Nader Mashayekhi, Mohsen Mirmehdi
Pass code: TIEMF2020
Lecture and Discussion 2
Marginal notes on electronic music in Tehran in 2010
Nader Mashayekhi
Monday, 22 February 2021, 19:30 Tehran Time
How and to what extent the social shifts, aesthetic reorientations, changes in listening habits, the emergence of commercial commodity music of all kinds have mutually influenced each other are among the central topics of systematic investigations of recent Iranian music history.
The intention of these three lectures with subsequent discussion is to take a new step towards a systematic investigation of the continuity, transformation and ruptures on the path of Iranian music from Radif to electronic music.
Pass code: TIEMF2020
Hassan Sheidaei and Mehdi Jalali
The Relationship Between Sound and Image
Hassan Sheidaei and Mehdi Jalali
Live on Instagram
Monday 22 February 2021. 22:30 Tehran Time
Introduction
I tried to choose the videos in which the artist contemplated sound and image in different ways. There, music, or sound, was not being used as an accompaniment. Music and image act as equals and the image makes it possible to understand the importance of the music during the video.
This style of making videos could be consciously or not. It was not important for my selection.
Concert (Curated by Hassan Sheidaei)
Social Movement (2015)
The Social Movement video is an experiment with the form of editing and reconfiguring it through contemplation of speed and repetition.
Aria Farajnezhad
Biography
2020
Noise interference in a linear system makes the response of the system similar to non-linear one. This time, artisric product is only visible in the path.
Baramant
Biography
Sonata II from Sonatas and Interludes for Prepared Piano (John Cage)
Who dares to go unfamiliar ways and to visit unfamiliar places can find treasures that point to the future.
“Like shells on the beach” John Cage has found his sounds. For his work “Sonatas and Interludes” he fixed bolts, screws and rubber between the strings of his grand piano. This is how he created the tender, gamelan-like sounds he used to compose this piece of music. Everywhere are things waiting to be found, if you only dare to go unfamiliar paths and visit unfamiliar places. Old houses with overgrown entrances, fragile stairs, dusty attics. Whoever dares to search here will find unexpected treasures with which a futuric soundexperience can be produced on a traditional concert grand.
Christine Jezior
Biography
Felony
My work deals with concepts and artist researches, not only the science behind it, but I show a reflection of issues from it. To be specific, I have this fascination for interval humanized nature. In other words, my art is centered on principles of perception. It is about the way spectators perceive my selective perception. To this end, I use the elements of nature or time as a comparison with our contemporary lives. I bring multidimensional installations into a space and surround the viewer with my artworks, which mostly consist of multimedia installations including objects, light, video, sound and their individual components. Accordingly, in my room-installations, I create an interchange in order to convey my notion. Thereby, I let the viewer spatially experience my concepts in a new reality, so that they experience art through novel means.
“We were condemned to natural selection
Compulsion to life is our only holiness
An interval between birth and death”
Donya Bagheri Fard
Biography
POSTLOTEN
Events of the free improvisation in music, acting and performance.
Free improvisation as an expression of an individuell freedom and fearless self-rule.
There are neither agreements nor signs, but regular rehearsals make the musical and aesthetic qualities continously possible. The plumb events raise questions, examine conventions, individual as well as social and develop temporal alternatives, which are unique and unrepeatable. This collective is international and cross-generational.
(Loten = to plumb)
a Collective of Artists and Musicians From Bremen
a Collective of Artists and Musicians From Bremen
En Brèche (2017)
In his composition “And Life is Word-to-Word Breathing”, Ali Gorji has divided a text by Shirin Nowrousian into individual syllables. The individual phonemes used are taken from different languages, but they elude any semantic binding and develop their own physical and thus musical expression in the context of this linguistic expressionlessness. The short film shows a visual interpretation of this composition.
Tobias Klich
Biography
www.tritonus-verein.de www.vimeo.com/tobiasklich
